Image 1: Craig Becker, Scratch 15, 2015. Archival pigment print, edition of 10.
Image 2: Sascha Braunig, Comber 1, oil on linen over panel, 12 x 15 IN, 2015.
Image 3: Paul Oberst, Illumination 14/4 Traversing Fear, glazing & wax on pigment print mounted to wood panel, 10 x 8 IN, 2014 (in collaboration with Patrick McNamara)
PORTLAND, MAINE: The UMVA Gallery at CTN in Portland, Maine is pleased to announce the opening of Neurotica, a group exhibition of artworks by Jeffrey Ackerman, Nancy Morgan Barnes, Robert Barnes, Craig Becker, Sascha Braunig, Anita Clearfield, Kenny Cole, Veronica Cross, Gabriella D’Italia, Michel Droge, Brenton Hamilton, Karen MacDonald, Natasha Mayers, Scott Minzy, Paul Oberst, Robert Shetterly, Nora Tryon, Kathy Weinberg, and Richard Wilson. The exhibition features works in painting, video, drawing, installation, sculpture, printmaking, and photography that explore a common theme of expressive and intense psychological self-examination. The exhibition is co-curated by Jeffrey Ackerman and Veronica Cross and is sponsored by the Maine Arts Journal (MAJ), which will be publishing their Spring 2016 issue, coming out April 1, on the same theme.
Neurotica invites investigations into the subconscious, collective memory, behavior, and mores. The MAJ describes the theme: “Neurotica (nu-rŏ-tĭ’-ka) – noun: The content, processes or imagery of an artist’s work that wells from her/his personal psychological processes including, but not limited to: obsessions, appetites, desires, libido, anxieties, taboos, sexuality, quirks, psychic anomalies, neurological idiosyncrasies and intentional markers of individual personality.” As progeny of psychoanalysis, markers of neurotica are found in the imagery, sound/music, performance, process and ideas that inform and are informed by our multifaceted cultures and interior worlds.
Whether working associatively or steering the improvisation, how the artists in Neurotica make their marks can reveal as much as what make those marks about. The sensuous surfaces of Braunig’s paintings offer an internal ‘scape of persona deconstructed down to its sinewy synapses of the most infrared of gray matters. That sense of interiority – as access to the symbolic and visceral – is also found in a different manner in the feverish graphite scribing of Droge’s drawings. The course is set yet undetermined. MacDonald’s saved humble objects are refashioned into landscape installations that speak of the ways we collect things, stories, people as extensions of our own character. The gesture of stitching lines and folds across an expanse of white or black cotton reveals the movement as a meditation, creating a logic of eternal horizon lines in D’Italia’s work.
Elsewhere, dream narratives conjure scenes of anxiety, stimulation, and fractured personae.
Exposure and vulnerability populate Robert Barnes’ painting of a self-conscious model and Oberst’s photograph figure is targeted beneath its/his incriminating stripes preserved in a waxy amber. Weinberg’s lens peeps through a keyhole. Becker’s photo-phantasm levitates in a cyber-cerebral space.
The Union of Maine Visual Artists is a nonprofit organization created for artists by artists and the MAJ is the quarterly publication of the UMVA. The UMVA advocates for its members and provides a structure for artists to create projects, produce exhibitions, initiate affiliations and chapter groups throughout the state. CTN, a nonprofit organization that provides public access and community television programming for Portland, has generously provided space for UMVA exhibitions and projects.
Jeffrey Ackerman email@example.com
Veronica Cross firstname.lastname@example.org
The UMVA Gallery at CTN,
Community Television Network
516 Congress St., Portland, Maine
Gallery hours: Monday- Friday, 12 noon to 5pm; other viewing hours may be made by special arrangement, please call 207-632-9008